Paean to Place

                                        And the place
                                        was water           

Fish
      fowl
            flood
      Water lily mud
My life

in the leaves and on water
My mother and I
                      born
in swale and swamp and sworn
to water

My father
thru marsh fog
      sculled down
            from high ground
saw her face

at the organ
bore the weight of lake water
      and the cold—
he seined for carp to be sold
that their daughter

might go high
on land
      to learn
Saw his wife turn
deaf

and away
She
      who knew boats
            and ropes
no longer played




She helped him string out nets
for tarring
      And she could shoot
            He was cool
to the man

who stole his minnows
by night and next day offered
      to sell them back
            He brought in a sack
of dandelion greens

if no flood
No oranges—none at hand
      No marsh marigold
            where the water rose
He kept us afloat




I mourn her not hearing canvasbacks
their blast-off rise
      from the water
            Not hearing sora
rails’s sweet

spoon-tapped waterglass-
descending scale-
      tear-drop-tittle
            Did she giggle
as a girl?




His skiff skimmed
the coiled celery now gone
      from these streams
            due to carp
He knew duckweed

fall-migrates
toward Mud Lake bottom
      Knew what lay
            under leaf decay
and on pickerel weeds

before summer hum
To be counted on:
      new leaves
            new dead
leaves




He could not
—like water bugs—
      stride surface tension
            He netted
loneliness

As to his bright new car
my mother—her house
      next his—averred:
            A hummingbird
can’t haul

Anchored here
in the rise and sink
      of life—
            middle years’ nights
he sat

beside his shoes
rocking his chair
      Roped not “looped
            in the loop
of her hair”




I grew in green
slide and slant
      of shore and shade
            Child-time—wade
thru weeds

Maples to swing from
Pewee-glissando
      sublime
            slime-
song

Grew riding the river
Books
      at home-pier
            Shelley could steer
as he read




I was the solitary plover
a pencil
      for a wing-bone
From the secret notes
I must tilt

upon the pressure
execute and adjust
      In us sea-air rhythm
“We live by the urgent wave
of the verse”




Seven year molt
for the solitary bird
      and so young
Seven years the one
dress

for town once a week
One for home
      faded blue-striped
as she piped
her cry




Dancing grounds
my people had none
      woodcocks had—
      backland-
air around

Solemnities
such as what flower
      to take
      to grandfather’s grave
unless

water lilies—
he who’d bowed his head
      to grass as he mowed
      Iris now grows
on fill

for the two
and for him
      where they lie
      How much less am I
in the dark than they?  




Effort lay in us
before religions
      at pond bottom
            All things move toward
the light

except those
that freely work down
      to oceans’ black depths
            In us an impulse tests
the unknown




River rising—flood
Now melt and leave home
      Return—broom wet
            naturally wet
Under

soak-heavy rug
water bugs hatched—
      no snake in the house
            Where were they?—
she

who knew how to clean up
after floods
      he who bailed boats, houses
            Water endows us
with buckled floors

You with sea water running
in your veins sit down in water
      Expect the long-stemmed blue
            speedwell to renew
itself




O my floating life
Do not save love
      for things
            Throw things
to the flood

ruined
by the flood
      Leave the new unbought—
            all one in the end—
water

I possessed
the high word:
      The boy my friend
            played his violin
in the great hall




On this stream
my moonnight memory
      washed of hardships
            maneuvers barges
thru the mouth

of the river
They fished in beauty
      It was not always so
            In Fishes
red Mars

rising
rides the sloughs and sluices
      of my mind
            with the persons
on the edge

—Lorine Niedecker, Collected Works

posted : Wednesday, April 21st, 2010

Question

Body my house
my horse my hound  
what will I do
when you are fallen

Where will I sleep  
How will I ride  
What will I hunt

Where can I go
without my mount  
all eager and quick  
How will I know  
in thicket ahead
is danger or treasure  
when Body my good  
bright dog is dead

How will it be
to lie in the sky
without roof or door  
and wind for an eye

With cloud for shift  
how will I hide?

—May Swenson, Nature: Poems Old and New

posted : Wednesday, April 21st, 2010

Reader’s Digest illustrated guide to typewriter cleaning and lubrication. (The Classic Typewriter Page)

Reader’s Digest illustrated guide to typewriter cleaning and lubrication. (The Classic Typewriter Page)

posted : Wednesday, October 21st, 2009

Asphodel, That Greeny Flower (excerpt)

My heart rouses

thinking to bring you news

of something

that concerns you

and concerns many men. Look at

what passes for the new.

You will not find it there but in

despised poems.

It is difficult

to get the news from poems

yet men die miserably every day

for lack

of what is found there.

—William Carlos Williams, Journey to Love

posted : Wednesday, October 21st, 2009

—Thomas Edison, “New Brooklyn to New York via Brooklyn Bridge, no. 2”

posted : Monday, June 1st, 2009

New York and the Brooklyn Bridge from Brooklyn. (Library of Congress)

New York and the Brooklyn Bridge from Brooklyn. (Library of Congress)

posted : Monday, June 1st, 2009

The Workforce

Do you have adequate oxen for the job?
No, my oxen are inadequate.
Well, how many oxen would it take to do an adequate job?
I would need ten more oxen to do the job adequately.
I’ll see if I can get them for you.
I’d be obliged if you could do that for me.
Certainly. And do you have sufficient fishcakes for the men?
We have fifty fishcakes, which is less than sufficient.
I’ll have them delivered on the morrow.
Do you need maps of the mountains and the underworld?
We have maps of the mountains but we lack maps of the underworld.
Of course you lack maps of the underworld,
there are no maps of the underworld.
And, besides, you don’t want to go there, it’s stuffy.
I had no intention of going there, or anywhere for that matter.
It’s just that you asked me if I needed maps… .
Yes, yes, it’s my fault, I got carried away.
What do you need, then, you tell me?
We need seeds, we need plows, we need scythes, chickens,
pigs, cows, buckets and women.
Women?
We have no women.
You’re a sorry lot, then.
We are a sorry lot, sir.
Well, I can’t get you women.
I assumed as much, sir.
What are you going to do without women, then?
We will suffer, sir. And then we’ll die out one by one.
Can any of you sing?
Yes, sir, we have many fine singers among us.
Order them to begin singing immediately.
Either women will find you this way or you will die
comforted. Meanwhile busy yourselves
with the meaningful tasks you have set for yourselves.
Sir, we will not rest until the babes arrive.
—James Tate, Memoirs of a Hawk: Poems

posted : Thursday, May 28th, 2009

“I am ill fated, I am going to perish a virgin, I’m lacking in pulchritude.”
—Junot Diaz, The Brief Wondrous Life of Oscar Wao.

posted : Tuesday, May 26th, 2009

Topography

After we flew across the country we
got into bed, laid our bodies
delicately together, like maps laid
face to face, East to West, my
San Francisco against your New York, your
Fire Island against my Sonoma, my
New Orleans deep in your Texas, your Idaho
bright on my Great Lakes, my Kansas
burning against your Kansas your Kansas
burning against my Kansas, your Eastern
Standard Time pressing into my
Pacific Time, my Mountain Time
beating against your Central Time, your
sun rising swiftly from the right my
sun rising swiftly from the left your
moon rising slowly from the left my
moon rising slowly from the right until
all four bodies of the sky
burn above us, sealing us together,
all our cities twin cities,
all our states united, one
nation, indivisible, with liberty and justice for all.

—Sharon Olds, The Gold Cell

posted : Tuesday, May 26th, 2009

—Dosei Kono, Meireki shinpan Osaka no zu. (David Rumsey Historical Map Collection)

—Dosei Kono, Meireki shinpan Osaka no zu. (David Rumsey Historical Map Collection)

posted : Tuesday, May 26th, 2009