And the place
was water
Fish
fowl
flood
Water lily mud
My life
in the leaves and on water
My mother and I
born
in swale and swamp and sworn
to water
My father
thru marsh fog
sculled down
from high ground
saw her face
at the organ
bore the weight of lake water
and the cold—
he seined for carp to be sold
that their daughter
might go high
on land
to learn
Saw his wife turn
deaf
and away
She
who knew boats
and ropes
no longer played
She helped him string out nets
for tarring
And she could shoot
He was cool
to the man
who stole his minnows
by night and next day offered
to sell them back
He brought in a sack
of dandelion greens
if no flood
No oranges—none at hand
No marsh marigold
where the water rose
He kept us afloat
I mourn her not hearing canvasbacks
their blast-off rise
from the water
Not hearing sora
rails’s sweet
spoon-tapped waterglass-
descending scale-
tear-drop-tittle
Did she giggle
as a girl?
His skiff skimmed
the coiled celery now gone
from these streams
due to carp
He knew duckweed
fall-migrates
toward Mud Lake bottom
Knew what lay
under leaf decay
and on pickerel weeds
before summer hum
To be counted on:
new leaves
new dead
leaves
He could not
—like water bugs—
stride surface tension
He netted
loneliness
As to his bright new car
my mother—her house
next his—averred:
A hummingbird
can’t haul
Anchored here
in the rise and sink
of life—
middle years’ nights
he sat
beside his shoes
rocking his chair
Roped not “looped
in the loop
of her hair”
I grew in green
slide and slant
of shore and shade
Child-time—wade
thru weeds
Maples to swing from
Pewee-glissando
sublime
slime-
song
Grew riding the river
Books
at home-pier
Shelley could steer
as he read
I was the solitary plover
a pencil
for a wing-bone
From the secret notes
I must tilt
upon the pressure
execute and adjust
In us sea-air rhythm
“We live by the urgent wave
of the verse”
Seven year molt
for the solitary bird
and so young
Seven years the one
dress
for town once a week
One for home
faded blue-striped
as she piped
her cry
Dancing grounds
my people had none
woodcocks had—
backland-
air around
Solemnities
such as what flower
to take
to grandfather’s grave
unless
water lilies—
he who’d bowed his head
to grass as he mowed
Iris now grows
on fill
for the two
and for him
where they lie
How much less am I
in the dark than they?
Effort lay in us
before religions
at pond bottom
All things move toward
the light
except those
that freely work down
to oceans’ black depths
In us an impulse tests
the unknown
River rising—flood
Now melt and leave home
Return—broom wet
naturally wet
Under
soak-heavy rug
water bugs hatched—
no snake in the house
Where were they?—
she
who knew how to clean up
after floods
he who bailed boats, houses
Water endows us
with buckled floors
You with sea water running
in your veins sit down in water
Expect the long-stemmed blue
speedwell to renew
itself
O my floating life
Do not save love
for things
Throw things
to the flood
ruined
by the flood
Leave the new unbought—
all one in the end—
water
I possessed
the high word:
The boy my friend
played his violin
in the great hall
On this stream
my moonnight memory
washed of hardships
maneuvers barges
thru the mouth
of the river
They fished in beauty
It was not always so
In Fishes
red Mars
rising
rides the sloughs and sluices
of my mind
with the persons
on the edge
—Lorine Niedecker, Collected Works
Body my house
my horse my hound
what will I do
when you are fallen
Where will I sleep
How will I ride
What will I hunt
Where can I go
without my mount
all eager and quick
How will I know
in thicket ahead
is danger or treasure
when Body my good
bright dog is dead
How will it be
to lie in the sky
without roof or door
and wind for an eye
With cloud for shift
how will I hide?
—May Swenson, Nature: Poems Old and New
Reader’s Digest illustrated guide to typewriter cleaning and lubrication. (The Classic Typewriter Page)
My heart rouses
thinking to bring you news
of something
that concerns you
and concerns many men. Look at
what passes for the new.
You will not find it there but in
despised poems.
It is difficult
to get the news from poems
yet men die miserably every day
for lack
of what is found there.
—William Carlos Williams, Journey to Love
Do you have adequate oxen for the job?
No, my oxen are inadequate.
Well, how many oxen would it take to do an adequate job?
I would need ten more oxen to do the job adequately.
I’ll see if I can get them for you.
I’d be obliged if you could do that for me.
Certainly. And do you have sufficient fishcakes for the men?
We have fifty fishcakes, which is less than sufficient.
I’ll have them delivered on the morrow.
Do you need maps of the mountains and the underworld?
We have maps of the mountains but we lack maps of the underworld.
Of course you lack maps of the underworld,
there are no maps of the underworld.
And, besides, you don’t want to go there, it’s stuffy.
I had no intention of going there, or anywhere for that matter.
It’s just that you asked me if I needed maps… .
Yes, yes, it’s my fault, I got carried away.
What do you need, then, you tell me?
We need seeds, we need plows, we need scythes, chickens,
pigs, cows, buckets and women.
Women?
We have no women.
You’re a sorry lot, then.
We are a sorry lot, sir.
Well, I can’t get you women.
I assumed as much, sir.
What are you going to do without women, then?
We will suffer, sir. And then we’ll die out one by one.
Can any of you sing?
Yes, sir, we have many fine singers among us.
Order them to begin singing immediately.
Either women will find you this way or you will die
comforted. Meanwhile busy yourselves
with the meaningful tasks you have set for yourselves.
Sir, we will not rest until the babes arrive.
—James Tate, Memoirs of a Hawk: Poems
After we flew across the country we
got into bed, laid our bodies
delicately together, like maps laid
face to face, East to West, my
San Francisco against your New York, your
Fire Island against my Sonoma, my
New Orleans deep in your Texas, your Idaho
bright on my Great Lakes, my Kansas
burning against your Kansas your Kansas
burning against my Kansas, your Eastern
Standard Time pressing into my
Pacific Time, my Mountain Time
beating against your Central Time, your
sun rising swiftly from the right my
sun rising swiftly from the left your
moon rising slowly from the left my
moon rising slowly from the right until
all four bodies of the sky
burn above us, sealing us together,
all our cities twin cities,
all our states united, one
nation, indivisible, with liberty and justice for all.
—Sharon Olds, The Gold Cell